Issues, c.1984

  • the construction of the real, deconstruction of the unreal
  • the constitution of the subject
  • power, knowledge, ideology
  • the psychoanalytic state of the subject
  • film as text, and how that text is constructed to produce meaning
  • the circulation of texts to produce specific meaning in specific & differing contexts
  • the unseen, the unconscious
  • the operation of ideology & historicity
  • the restoration of a lack
  • the desire for closure
  • film as language

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